As hokey as it sounds, I’ve teared up a little re-reading this.
This is the pitch Gail Simone made back when Cassandra Cain was still Batgirl. It would’ve involved Cass saving a minister from a robbery, and in the midst of her violent beatdown upon the thugs who’ve attacked him, the minister would’ve begged for Cass to stop. Cass is, at first, unable to comprehend his ability to forgive so easily, and she begins visiting him in the hospital. His faith in God and his compassion really moves Cassandra, and she begins to study the bible. From that point Cass becomes truly devout and spends her time helping the downtrodden of Gotham that the Bat Family doesn’t normally deal with. The poor, the mentally ill, the immigrants, the runaways, and the homeless. She would’ve adopted an all-white costume, and people would start calling her the Angel of the Bat, Essentially, it would’ve been about Cass finding religion, but not in a hamfisted, Lifetime Movie/Mel Gibson’s Passion sort of way.
For whatever reason, this idea was considered too controversial to the editing staff at the time, and they decided to go with Cass becoming evil and leading the League of Assassins, which was met with universal disdain and resulted in a few years of writers attempting to rectify the damage, only for Cass to give up the Batgirl name and give it to Stephanie Brown.
I don’t know if I would’ve supported it then. I mean, back when Cass had just turned evil, I had only broken the surface of mainstream comics and started collecting them regularly instead of doing research on obscure characters from the 40s to 80s, buying the odd issue, and trade paperbacks. The only Batman books I bought were Batman, Detective Comics, and Nightwing (though that stopped after three or four issues).
I have to give Miss Simone credit for attempting to write a story about a character finding religion, especially when she herself has admitted to being an atheist. At least I believe’s she an atheist. I also can’t help but note a parallel between Cassandra finding religion, and the subject matter that Peter David handled when he wrote Supergirl, which dealt with redemption and joy and an analysis of certain religious beliefs in the case of Matrix and Linda Danvers.
All I know is, this seems like another representation of a boneheaded move made by DC’s editing staff.
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This is something that happened a good while back. It didn’t get that far, really. What was happening was that both Nightwing and Batgirl were starting to drop in sales. For whatever reasons, readers were dropping both books.
My editor at the time, the fabulous Joan Hilty (one of the great editors in the business and an actual feminist), asked me what I would do if I had the books. It was official/unofficial. DC asked me for my pitches, but it was all very tentative.
I didn’t want to take over Nightwing…my friend Devin Grayson had been writing that book, and I felt she had not gotten a fair chance to really leave a mark on the book due to a ton of crossovers and such. I didn’t want to step in after she had left unhappy. So, I had some ideas for Nightwing, but told them I wouldn’t write the book. I don’t think it was intentional, this stuff happens, but I just didn’t feel right about it.
But I had just started following Batgirl and I freaking loved it and that book’s writer was leaving (not positive of the circumstances). So what I was trying to do was;
a) Save the book from cancellation, and
b) Create a buzz story, to get some attention, with the intention of bringing her back to her already-cool status quo once more eyes were on the book.
The idea was to have her be like she is with everything, a passionate, committed student. She sees this message that the priest gives, and she sees it as power, as a kind of combat, and immediately wants to master it.
But it was always meant to be a story, a long arc, maybe a year or so.
It’s odd, but it’s one of the most skeptical responses I’ve ever gotten from an editor. I don’t know if it’s because I’m an atheist, which I am, but they seemed to think it would not be played straight, that it might be offensive. My goal was the opposite, she would be deadly serious and committed, and would start to have a genuine philosophical difference with Batman, leading to some interesting friction.
In the end, she would regain her self and her previous belief system. But it was interesting that with all the violent, dark choices for story arcs out there, they would be skittish about a bat-character learning about her spiritual beliefs.
I don’t know if it was ‘boneheaded,’ a lot of pitches happen when a book is getting a new direction, and this may genuinely not have been the best one. But I think it would have been very interesting.